There are two sets of monitor outputs, MAIN and MINI, so you can feed two different sets of power amps or powered speakers. The master section has an aux mix gain (master effects send) in the LINE version and an Ext input gain in the MIC version. Max output level is +36dBu, about 10dB better than million-dollar consoles. There are both transformer balanced and transformerless unbalanced (+4dBm) outputs with tons of headroom. External inputs allow two or more mixers to be combined for 32 or more channels with a mini-banana post linking the Solo functions. The master section provides mixdown to 2 channels achieved with similar tube circuits as used in the Massive Passive, featuring two each 12AT7 NOS Phillips & 6414 NOS GE or Raytheon dual triodes. Insert and Phase Reverse also use high quality relays and both functions have tiny switches and red LED's to clearly indicate when they're selected. The buttons are EAO Series 19 and light up to indicate Mute and Solo. Please! The Solo is of the "mute everything else" type.
Mutes and Solos use superior relay switching techniques not crummy FETs or CMOS switching.
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However, the tube mix amps/line drivers are right at the end and impart that "Manley Sound" to your final outputs with all the richness, loudness and BIG sound you expect from us. We certainly could have, but this puppy would have grown into the size of a small house, and needed an accompanying 5-Ton AC unit. Sorry we didn't make this thing all-tube for "ad appeal" and sales hype. No carbon resistors, just 1/2 watt metal film, Bourns conductive plastic pots, Grayhill stepped attenuators, etc. The signal path has just 3 superb polystyrene caps from input to output. Spec-wise know of no mixer ever with better headroom or higher output levels and, well, this mixer's subterranean noise floor and crosstalk figures are simply quite amazing.
Hold the line gif pro#
There are balanced direct outputs on every channel post fade and pre cut for multi-track recording.Įach channel uses the best sounding chips we know of (Burr Brown INA103, OPA2604, Linear Technology LT1010) in Hutch's circuits with exceptional headroom and very low noise, real pro level input and output levels, and bulletproof Manley quality throughout.
In the MIC version, the XLR has the appropriate 2400 Ohm impedance and switches to 82kOhm input impedance at the 1/4" jacks.
It is perfectly happy with either balanced or unbalanced sources. The channel input jack is a Neutrik Combo which accepts XLR or 1/4" phone plugs.
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